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A lost masterpiece
Great Read

Excellent Novel!
Cindy Bonner Triumphs Once Again

Good read
Fascinating Brotherly Love

Perhaps the BEST book for Houston and Gulf Coast Gardeners
Excellent

One of the most helpful books on Tx plants
The best book I have had the pleasure to use. A must!!!!

Magical
Awesome

Fulfilling its PromiseA PLACE WITH PROMISE will zing you with humor and zap you with the pathos of the inner lives of the characters. You'll find yourself and all your friends within these pages and you'll love your world and your friends more after you have read it.
I have long waited for this book to see life in paperback!

Fascinating and Informative
A COMPREHENSIVE AND WONDERFUL BOOK !

Just like I was there
One of the few books stolen from me by a friend.

Talk about women who have it all until it almost kills themTalk about women who have it all until it almost kills them, and you'll find Virginia Rodriguez. As a prosecutor for the DA's office, Virginia works nonstop while she manages to bring up her son, Nick, and try to remember to let the dog, Denver, in and fill its food dish. In the meantime, there has been a murder committed of a powerful federal prosecutor, and his wife is found in the hotel room with a gun in her hand. Is she guilty?
Virginia thinks at first this will be an open-and-shut case. Enter Leo Zachmann, a defense lawyer of some repute and intelligence, who can see from the start that the case doesn't add up. He's been hired by a gruff voice calling almost immediately after the murder was committed:
"'Why, Virginia, I see blinking cop cars and rowdy reporters and I just have to see if there's paying work I can hustle up,' Leo dead panned. 'You know how testy the state bar gets when you send runners in to sign up clients, so I like to do the signing up myself.' 'Right. I was told Mrs. Fullerton hasn't said a word, but it looks like she managed to sneak a call to a lawyer.'
Leo and his wife, Miranda, also a lawyer, manage to dig up enough dirt to indicate that "some other dude did it." Indeed, the absence of evidence is in itself fishy and causes Leo to latch on to another line of inquiry...of the feds. In the meantime, Virginia's case dissolves as Leo's case widens. Virginia has yet another issue begging for attention, a budding relationship.
Promises Town is a splendid follow-up to Cobb's debut novel. Her characters are chiseled out of the Texas landscape; politics; and Virginia's sometimes bitchy, but mostly likable, character.
Shelley Glodowski
Senior Reviewer
Delicious feast of romance, intrigue and murderAs Virginia and police detective named Smitty delve into the inconsistencies, they come to realize that maybe the wife has been set up, but by then a dismissal of the charges isn't that simple. Powerful people, including a man from Virginia's past, want a quick prosecution and conviction . At the same time, Zachmann and his staff are conducting their own investigation which indicates there's a political conspiracy behind the murders.
The story is masterfully told from a point-counterpoint perspective, interweaving the prosecution and defense point of view as Cobb takes the readers through a criminal investigation, into the courtroom, and then on to the unexpected ending. As in L.B. Cobb's debut novel, SPLENDOR BAY, twists, turns, and action keep the pages of PROMISES TOWN turning. It's also filled with deliciously complex relationships, suspense, humor, and some very memorable characters. I'll eager to read more about Virginia and Leo.
Humphrey's writing was often compared to Faulkner, an influence Humphrey vigorously denied. Insightful comments from two reviewers are revealing: "[Humphrey's] cosmos is less awry than Faulkner's, and his syntax is far more agreeable," and "Humphrey gives us...a piece of Faulkner in which the obscurities have been clarified and the crooked made straight."
Nearly 40 years after its publication, the loose structure and the Faulknerian inheritance of The Ordways are no longer hindrances to its value. It was unjust to Humphrey that the book was viewed as a shortfall compared to his first.
The story contains two main elements. First is the retold saga of the migration of the Ordway family ancestors from Tennessee to Texas, which is recounted in the section entitled In a Country Churchyard. The saga relates the travails of Civil War soldier Thomas Ordway, his incapacitating injury, his wife Ella's determination to keep the family together, their eventful migration to Texas, and the remainder of their lives in Texas. This remembrance is told during Remembrance Day, a yearly event where families clean cemetery housing the graves of their ancestors. In a Country Churchyard is brilliant writing and story-telling, both emotional and hilarious. Much of the Ordway history is extravagant and over-the-top, yet deeply moving at the same time. Bert Almon, Humphrey's primary literary critic, points out that Humphrey's desire was to satirize a number of southern and western cultural myths: the glorification of the lost southern cause of the Civil War, excessive southern piety to family, glamorization of the Wild West and cowboys, and an obsession with the past. Despite his extra-textual satirical goal, Humphrey does not come off as nasty or sarcastic. In fact, his love and affection are clearly on display. In a Country Churchyard is fiction, writing, and story-telling at its finest.
The second main element is an account spanning nearly 30 years of the kidnapping of Sam Ordway's son Ned by a neighbor, Sam's futile attempt to track down his son and the perpetrator, and at last the reunion of father and son about 30 years after the fact. The Stepchild describes the loss of the child and the step-by-step realization that he has been kidnapped. Slow, yet dramatic, The Stepchild is more straightforward story-telling compared to In a Country Churchyard. However, the events in The Stepchild, frequently and tantalizingly foreshadowed in In a Country Churchyard, make the prologue even more masterful and gives The Stepchild an extra poignancy. Sam Ordway's Revenge is a humorous recital of Sam Ordway's ridiculous search for his son. Ludicrous events happen time and again; this section perhaps reveals Humphrey's satirical intent the most. It does not continue the same sense of drama and devotion of the previous two sections and thus I found it somewhat weaker. Family Reunion is also weak compared to the book's first two sections. It is similarly humorous, capturing the celebrations across Texas for the reunion of Sam and his son Ned. The reunion of father and son provides some relief to the reader after the central tragedy of the kidnapping, but one wonders if the book may have been more powerful had the reunion never occurred.
Mr. Humphrey's lack of literary success was a source of great disappointment to him. I am similarly at a loss why his career did not take off as did those of his less-talented contemporaries. William Humphrey died in August 1997. I hope that his extremely worthy works The Ordways, Home from the Hill, and Farther Off from Heaven will not be forgotten. Everything you could ever want of a writer is there.
Thanks to LSU Press, two of these fine books are still available. A word to the fiction connoisseur - buy them while you can.